Well folks, I'm stumped. Surely somewhere in those clues is the solution to the mystery of who killed Reavis Wortham. One of our four suspects had means, motive AND opportunity, but dang if I can decide which one. Neither can Junebug (although he swears he's closer than I am).
What do you think? Who's the killer? Fran the Fan Girl? Helen the Edditer? Payton the "artist"? Or Ray Vuss the lampshade impersonator? And what evidence do you have proving their guilt?
Review the Cast of Characters HERE.
Go through the story again starting with the first chapter HERE.
E-mail your guess (tell us both the guilty party and the evidence establishing his/her guilt) to Low Country Sisters in Crime at lowcountrysinc at gmail dot com with the phrase "CCAT Mystery Contest" in the subject line. Only one guess per participant. On October 30 at midnight, we'll choose one winner at random from all the correct guesses. The winner will be announced Halloween Day.
What does the winner win? A $25 gift card/certificate to either Amazon, Barnes & Noble, or Poisoned Pen Press -- winner's choice.
That's an awful lot of winning, don't you think? Don't you want to be a part of it?
Of course you do!
Get your solution to us before midnight October 30th! And that gift card could be yours!
PS: We will also have some prizes for Most Original Guess, and the One We Wish We'd Come Up With,and any other prizes we feel like awarding.
The fine print: No purchase is necessary. You must be at least 16 years old to enter. The winners will be chosen randomly from all correct entries and notified by email. The CCAT YA Book Club and its agents are
not responsible for transmission failures, computer glitches or lost,
late, damaged or returned email. The prize must be claimed within 7 days or
it will be forfeited.
Monday, October 12, 2015
CHAPTER 14: A Few Thoughts From Amateur Sleuth and Gun Shop Owner Tai Randolph
Look, if there's one thing I've discovered, it's that anybody can kill. We're all just dogs one meal away from turning into wolves. Of course, some people start out wolves. And maybe that's what we're looking at with our pool of suspects – a pack of ravening, bloodthirsty predators.
But . . . I doubt it. This bunch is strictly amateur hour.
In my experience, motive is the least important of the means/motive/opportunity triple threat. Motives rise and fall like the tide. And – as Seamus McCree has pointed out – all four of these suspects have good ones. Well, not good ones especially. Not the kind that reasonable people like you or I would consider good, but good enough for people like Fran and Ray Vuss and Helen and Payton.
This is the part where Trey would explain that a simple graph – or perhaps a nice series of cluster maps – would illuminate the mystery. He's probably right (he usually is). Trey and I have different ways of doing things, true enough, but there's one thing we can agree on – in most killings, it's not a matter of figuring out who could have done it; it's all about finding out who couldn't.
That's what I told Detective Ective. And that's what I'll tell you. And now if y'all will excuse me, I have to get back to the shop. There's a shipment of circa-1865 undergarments I have to sort through.
Go to FINAL CHAPTER!
But . . . I doubt it. This bunch is strictly amateur hour.
In my experience, motive is the least important of the means/motive/opportunity triple threat. Motives rise and fall like the tide. And – as Seamus McCree has pointed out – all four of these suspects have good ones. Well, not good ones especially. Not the kind that reasonable people like you or I would consider good, but good enough for people like Fran and Ray Vuss and Helen and Payton.
This is the part where Trey would explain that a simple graph – or perhaps a nice series of cluster maps – would illuminate the mystery. He's probably right (he usually is). Trey and I have different ways of doing things, true enough, but there's one thing we can agree on – in most killings, it's not a matter of figuring out who could have done it; it's all about finding out who couldn't.
That's what I told Detective Ective. And that's what I'll tell you. And now if y'all will excuse me, I have to get back to the shop. There's a shipment of circa-1865 undergarments I have to sort through.
Go to FINAL CHAPTER!
CHAPTER 13: So THAT Was The Commotion!
Oh, the humanity!
Photograph Courtesy of Paparazzi #1 |
Photograph Courtesy of Paparazzi #2 |
CHAPTER 12: Notes from Second Interview with Brutus the Bartender
(Detective's Notes: I did not manage to get Brutus' last name. I got very little, actually. Apparently mystery writers keep a bartender very busy. I did manage to discover several pertinent facts, however, during our second brief conversation).
1. Mr. Brutus the Bartender was working the shift when Reavis Wortham met his untimely demise at 9:55 PM in the evening.
2. Nobody else ordered Old Jack Pappy Bourbon except for Reavis Wortham, and there was only one bottle of it in the entire bar. The bourbon was contained in a clear crystal decanter (see EVIDENCE photo). The bottle itself was doctored with the Dargon nut powder, not Reavis' glass.
3. Brutus made the drink himself. He did not notice anything unusual about the bottle when he picked it up before or after making the drink, although Reavis did exclaim upon drinking it, "What kind of [expletive] is this? I did not order one of those [expletive] chocolate and pecan [expletive] things! Because I don't care what you call it, it's not---ACK!"
And then . . . death.
The crystal decanter was turned over to Crime Scene Techs for fingerprint processing -- fingerprints were found, which meant that bottle had NOT been wiped clean, probably because the killer didn't have time to slip the Dargon nut powder inside and then also wipe it down without being noticed.
However, the CST won't have results on fingerprint matches and DNA collection until tomorrow at the earliest. Like Brutus, I noticed nothing out of the ordinary about it either. It looked clean as a whistle.
4. He used a new bottle that he unwrapped himself. Therefore the bottle couldn't have been tampered with until after that time. Immediately after opening the bottle, Brutus left the bar at 9:45 PM for ten minutes to deal with a commotion out front, and then returned behind the bar (note to self: check security footage to discover what this "commotion" at 9:45 PM could have been about).
5. Brutus was my prime suspect until Junebug pointed out that he didn't have club level access and therefore couldn't have stolen Chef Blarnee's Dargon Nut Powder from her hotel room safe.
6. Brutus remembered seeing all four of the suspects in the bar, but as it was very busy, he doesn't remember who was actually in the bar during the ten-minute window of opportunity between his opening the bourbon at 9:35 PM, leaving the bottle on the bar to check out the commotion in the lobby at 9:45, returning to make Reavis' drink, then watching in helpless horror as Reavis SHUFFLES OFF HIS MORTAL COIL at 9:55! (note to self: explore writing a mystery novel myself, as I obviously have a flair for the dramatic).
But first . . . figure out what the commotion was about.
Go to CHAPTER 13!
1. Mr. Brutus the Bartender was working the shift when Reavis Wortham met his untimely demise at 9:55 PM in the evening.
2. Nobody else ordered Old Jack Pappy Bourbon except for Reavis Wortham, and there was only one bottle of it in the entire bar. The bourbon was contained in a clear crystal decanter (see EVIDENCE photo). The bottle itself was doctored with the Dargon nut powder, not Reavis' glass.
3. Brutus made the drink himself. He did not notice anything unusual about the bottle when he picked it up before or after making the drink, although Reavis did exclaim upon drinking it, "What kind of [expletive] is this? I did not order one of those [expletive] chocolate and pecan [expletive] things! Because I don't care what you call it, it's not---ACK!"
And then . . . death.
The crystal decanter was turned over to Crime Scene Techs for fingerprint processing -- fingerprints were found, which meant that bottle had NOT been wiped clean, probably because the killer didn't have time to slip the Dargon nut powder inside and then also wipe it down without being noticed.
However, the CST won't have results on fingerprint matches and DNA collection until tomorrow at the earliest. Like Brutus, I noticed nothing out of the ordinary about it either. It looked clean as a whistle.
4. He used a new bottle that he unwrapped himself. Therefore the bottle couldn't have been tampered with until after that time. Immediately after opening the bottle, Brutus left the bar at 9:45 PM for ten minutes to deal with a commotion out front, and then returned behind the bar (note to self: check security footage to discover what this "commotion" at 9:45 PM could have been about).
5. Brutus was my prime suspect until Junebug pointed out that he didn't have club level access and therefore couldn't have stolen Chef Blarnee's Dargon Nut Powder from her hotel room safe.
6. Brutus remembered seeing all four of the suspects in the bar, but as it was very busy, he doesn't remember who was actually in the bar during the ten-minute window of opportunity between his opening the bourbon at 9:35 PM, leaving the bottle on the bar to check out the commotion in the lobby at 9:45, returning to make Reavis' drink, then watching in helpless horror as Reavis SHUFFLES OFF HIS MORTAL COIL at 9:55! (note to self: explore writing a mystery novel myself, as I obviously have a flair for the dramatic).
But first . . . figure out what the commotion was about.
Go to CHAPTER 13!
CHAPTER 11: Initial Autopsy Results: REAVIS Z. WORTHAM
OFFICIAL Autopsy Analysis -- DO NOT TRY AT HOME! |
Who knew that Reavis Wortham was horribly allergic to Dargon nuts?
All of our suspects apparently. Every single one. Well, according to Junebug anyway, who has eyewitness testimonies that Fran Helsing AND Payton Olliver AND Helen Buttchicken AND Ray Vuss Wordum ALL possessed that knowledge.
Dang. Who'd have thought Junebug's case would get all mixed up with mine?
So which one of my four suspects slipped the powdered Dargon nuts into Reavis' bourbon, creating a fatal allergic reaction in the dearly departed?
I will not rest until I discover the guilty party! Which means another interview with Brutus the Bartender!
Go to Chapter 12!
CHAPTER 10: For Love or Money: Some (Perhaps) Considered Thoughts by Financial Crimes Consultant Seamus McCree.
So you have yourself four suspects in the murder of Reavis Z. Wortham. My suggestion is to look at each of your suspects with two lenses: Love and Money. This sure isn’t a spur of the moment crime. People don’t carry around poison, just in case. Now for love, read that as a proxy for any strong emotion. Could be spurned love, or earned hate, or having been embarrassed or fearing future embarrassment. Use your imaginations. Money really means financial gain or loss.
While Detective Ecktive was making small talk with Brutus the bartender and her partner – the French guy, what’s his name, sounded like Junebug to me – anyway Frenchie was trying to impress the women with his accent, I used my smartphone and followed the money.
Start with Payton
Olliver. She made a big deal about how she was going to illustrate Reavis'
next book. Never happened and considering her work – what kind of "artist" actually wears shaving cream as a form of creative expression? – I can see why. So
that cost her some bucks – a monetary motive. Because even if her family's worth
millions, they seem to have cut her off because of her "art." Could embarrassment be a motive? You decide.
James M. Jackson, and his very attractive wolf hat |
And what about Helen Bvtzchknn? I again Googled both names together to see what popped up. It turns out she did some work for Reavis, and he sued her for “unprofessional work,” whatever that means. They settled out of court, sealed document, but Reavis didn’t drop the matter. Nope, he brought her before the disciplinary board of the EWW, the Editorial Workers Worldwide. Maybe she killed a gerund or something. I don’t know, but whatever it was, they threw her out of the organization. I assume her expulsion affects her ability to make a living doing editorial work. Actually, that wouldn’t technically be a monetary motive, since killing Reavis wouldn’t increase her financial prospects. But losing money could lead to revenge, right, and who but an editor would quibble over the exact definition of a financial crime?
And lastly, we have Ray Vuss Wordem. I Googled his name and Reavis’s at the same time and up popped a ten-million lawsuit Ray Vuss filed against Reavis claiming, among other things that Reavis stole not only the idea but 74.36% of the words from an unpublished work Ray Vuss had sent Reavis asking for a blurb. So ask yourself this question: is Ray Vuss more likely to win, or at least settle, his suit with Reavis no longer able to present his side of the story, or with Reavis no longer able to churn out number one bestsellers, will that make it harder to collect big bucks from his estate?
Go to CHAPTER 11!
CHAPTER 9: Detective Jean Jeanbeaug's Dargon Nut Theft File -- Exhibits A and B
Exhibit A -- Dargon Nut Powder
You wouldn't think this powder would cost $1000 an ounce, would you? But it does! No smell, dissolves practically instantly into totally invisibility. It supposedly tastes like chocolate and pecans but in a "fancy" way, so that makes it worth someone's time to steal.
Sheesh. Forget being a bartender, I should grow Dargon nuts.
I told Junebug I doubted a thief would have had anything to do with Reavis' murder, but he gave me this European eyebrow arch, stuck his magnifying glass in front of his face, and stomped off.
Exhibit B: The Safe
Or as I call it, the Un-Safe.
Look at it. A child with both hands tied behind her back could pick that thing. I told Chef Blarnee this, and she tried to hit me with a spatula! You'd think a professional would keep valuable things like Dargon Nuts in a better safe, but I suppose chefs are good at chef matters and not security matters.
But then who expects someone to be breaking into hotel rooms and safecracking at EXACTLY 8:30 AM in the morning? But that's when it happened, according to the timing device on the "safe." Eight-thirty this very morning. And then later this same evening, Reavis is killed.
What is the world coming to?
Anyway, I can't see anything related to my homicide here. Perhaps I should get a second pair of sleuth-y eyes on it. Luckily, I know just the person. And he happens to be here at this mystery writer conference
Go to CHAPTER TEN!
CHAPTER 8: Detective Jean Jeanbeaug Insists on Assisting
Inspecteur Supérieur du Département de Paris
Jean Jeanbeaug
|
Sigh. THIS is the partner I get.
Anyway, he told me how to pronounce his name, but it sounded like Junebug to me. Too many unneeded vowels, but that's the French for you. Vowel overkill.
Anyway anyway, I'm laughing because he came all the way across the Atlantic and insists on investigating some nut theft instead of focusing on the – duh – homicide.
This is what a Chef Hissy Fit looks like |
Oh, the excitement.
Anyway, Junebug shared his report on the theft with me, although I can't imagine there's anything in there that will help me solve the murder of Reavis Wortham.
Still, worth looking at, I suppose
Go to CHAPTER 9!
Saturday, October 10, 2015
CHAPTER 7: Interview with RAY VUSS WORDUM
(Detective's Notes: Mr. Wordum consented to an interview, although he complained that I would be taking him away from his fans. There were no fans that I could see. He had been tossed from the convention for writing his name on copies of all five of Reavis Z. Wortham's novels. Every single book on the table was a stolen copy of Wortham's work with MR. RAY VUSS WORDUM written over the original byline and his photograph pasted over Mr. Wortham's.)
R. V. WORDUM: As I always say, “Some people just need killing.”
D. T. ECTIVE: No, that’s something Reavis Z. Wortham always said. One of his characters actually. From his first book, The Rock Hole.
R. V. WORDUM: As I always say, “Some people just need killing.”
D. T. ECTIVE: No, that’s something Reavis Z. Wortham always said. One of his characters actually. From his first book, The Rock Hole.
WORDUM (shrugs): Life is like a box of chocolates. This time, some of em’ were poisoned.
ECTIVE: Now you’re quoting Forrest Gump.
WORDUM: Look, the point is, I didn’t do it. Nobody saw me do it. There’s no way you can prove anything.
ECTIVE: Then who do you think did do it?
WORDUM: I don’t know who all was in the room. I was wearing a lampshade over my head. I couldn't see a thing!
ECTIVE: Could you not have taken off the lampshade?
ECTIVE: Could you not have taken off the lampshade?
WORDUM: The only thing worse than being blind, is having sight but no vision.
ECTIVE: I don’t understand. Is that not the situation you were in while wearing the lampshade? You know? Blind?
WORDUM: Elementary, my dear Watson.
ECTIVE: Excuse me?
(Suspect refuses to respond until questioned again)
(Suspect refuses to respond until questioned again)
ECTIVE: So, who do you think did it?
WORDUM: Blaming everyone else is great until you’ve got nobody left around to blame but yourself.
WORDUM: Blaming everyone else is great until you’ve got nobody left around to blame but yourself.
ECTIVE: Speaking of blame, can you explain this?
(Shows Wordum photograph taken that morning outside of the mystery writer conference)
ECTIVE: Well, look what we have here -- one of the mystery conference attendees snapped this shot outside the book dealer room at 8:30 AM this morning. You're hawking your book Unlit Locations: 5th in the Crimson Stream Series. Which you claim has nothing to do with Reavis Z. Wortham's Dark Places, which is 5th in the Red River series.
ECTIVE: Well, look what we have here -- one of the mystery conference attendees snapped this shot outside the book dealer room at 8:30 AM this morning. You're hawking your book Unlit Locations: 5th in the Crimson Stream Series. Which you claim has nothing to do with Reavis Z. Wortham's Dark Places, which is 5th in the Red River series.
WORDUM: When you have eliminated the impossible, whatever remains, however impossible, must be the truth.
ECTIVE: I don't even . . . Look, your "book" is just a copy of Reavis Z. Wortham's latest with a new cover taped to it.
WORDUM: So?
ECTIVE: And your signing table is a towel draped on an ironing board. I'm pretty sure even that mustache is fake.
(Wordum crosses arms and pretends to be a lamp again).
Go to CHAPTER 8!
ECTIVE: I don't even . . . Look, your "book" is just a copy of Reavis Z. Wortham's latest with a new cover taped to it.
WORDUM: So?
ECTIVE: And your signing table is a towel draped on an ironing board. I'm pretty sure even that mustache is fake.
(Wordum crosses arms and pretends to be a lamp again).
Go to CHAPTER 8!
CHAPTER 6: Interview with PAYTON OLLIVER
ECTIVE: But I have solid evidence that you were in the bar last night.
OLLIVER: W-Who told you that!? It was that awful ex editor of his, Helen Bvtz, Butz, how does she pronounce it, Buchanan? She’s awful! I wouldn’t be surprised if she did it! Her or that stalker of his.
ECTIVE: You mean Fran Helsing?
OLLIVER: I didn’t have much to do with that one, but from what I’d heard she’s certainly a character. She implicated me, didn't she?
ECTIVE: Actually, it was this photograph (shows suspect the evidence -- security footage of her sitting right next to the bar, her hands covered in shaving cream)
OLLIVER (sighs): Fine, if you want to know why I was in the bar last night, I was meeting with a potential client. What was his name again? Roy? No, Ray, Rayvie, Ravum...
ECTIVE: You mean Ray Vuss Wordum?
OLLIVER (snaps fingers): Yeah! He never showed up that night. Wait! Let me see that photo again... That's him in the corner pretending to be a lamp! I can’t believe he was right there all this time! That jerk. HE was the one who pushed the meeting! I didn’t want to go. Listen, I didn’t even know Reavis was there. Go look somewhere else for your lead. Maybe start with Ray. He had this weird obsession with everything Reavis. I didn’t want to take that job for that exact reason, but well… I was strapped for cash. Mom and Dad cut me off after I embarrassed them last Christmas with my Jello and mayonnaise sculpture of Mount Rushmore. I was hoping that the whole AA thing would convince them that I was serious enough about my career as an artist for them to fund me.
ECTIVE: Did they?
OLLIVER: Long story short, they haven't. So I took the job, despite my grievances with Reavis. Why don't you quit bothering me and check out Ray? I'm sure he's still around here, probably pretending to be a water cooler. Maybe there is a deadly reason he didn't meet with me.
Go to CHAPTER 7!
CHAPTER 5: Interview with HELEN BVTZCHKNN
(Note from Det. D. T. Ective -- The suspect refused to give an oral interview, though she did provide this written...something)
I can’t not say I wasn’t happy when I herd that Raevis was dead, that man didn’t cause nothing but troubles for me. First he fired me before I could finish editorialing his novel. And third he got me throwed out of EWW, the Editorial Writers Worldwide. And now this, the finale straw!
Then ye olde man went and got himself deaded and now I bet that crazy stalking girl is trying to frame me for MURDER! I am not a oxymoron, I know how framing someone works, I’ve red enough mysterys to know how this works -- but I've got two much on my plate to try and deal with this.
OH! That richie painto, she was their last nite, covered in some rediculous sustenance. Shaving cream and sawdust! Almost got it all over my new suite jacket.
This wood make a good story through, maybe i Should try my hands at writing. Is this able for copywright? I mean, R.I.P in piece and all Raevis, butt when they'res money to be made I gotta bee on the seen. Unlike SOME PEEPLE (shes not even a reel artist come on) I dont have a couple off richie parents too leech of off. I worked hard for my monie.
You want a official estatement? FINE
¡I DIDNT DO IT! But i bet i know who did...
PAYTON OLLIVER!
Go to CHAPTER SIX!
I can’t not say I wasn’t happy when I herd that Raevis was dead, that man didn’t cause nothing but troubles for me. First he fired me before I could finish editorialing his novel. And third he got me throwed out of EWW, the Editorial Writers Worldwide. And now this, the finale straw!
Then ye olde man went and got himself deaded and now I bet that crazy stalking girl is trying to frame me for MURDER! I am not a oxymoron, I know how framing someone works, I’ve red enough mysterys to know how this works -- but I've got two much on my plate to try and deal with this.
OH! That richie painto, she was their last nite, covered in some rediculous sustenance. Shaving cream and sawdust! Almost got it all over my new suite jacket.
This wood make a good story through, maybe i Should try my hands at writing. Is this able for copywright? I mean, R.I.P in piece and all Raevis, butt when they'res money to be made I gotta bee on the seen. Unlike SOME PEEPLE (shes not even a reel artist come on) I dont have a couple off richie parents too leech of off. I worked hard for my monie.
You want a official estatement? FINE
¡I DIDNT DO IT! But i bet i know who did...
PAYTON OLLIVER!
Go to CHAPTER SIX!
CHAPTER 4: Interview with FRAN HELSING
(Detective's Note: Ms. Fran Helsing is the subject of a restraining order brought about by the deceased. She has been ordered to stay fifty feet away from Reavis Wortham at all times. She is clearly visible in the security footage, however, sneaking under the tablecloth in the bar right before Reavis was murdered).
Fran Helsing: I LOVE REAVIS! Why would I ever kill him?! I mean sure, he let that incompetent editor ruin one of his books...but that wasn’t his fault...I think!
Actually, it was probably his fault! HOW dare he try to purposely sabotage a book! I LOVE HIM! Yet he probably did it to get rid of me! WHO WOULD EVER try to get rid of me!? But I swear, I DIDN’T DO IT! He may have also ruined my favorite character... BUT I LOVE HIM! I LOOOOOOOOOOOOOOOOOOVE HIM! NO WAY I WOULD KILL HIM!
Especially not before he signed my book. NOW MY BOOK WILL NEVER BE SIGNED! ARGGHHH!
If I had to point fingers, I bet it was that incompetent editor Helen! Everybody knows editors are fierce and nasty people! IT WAS HER I TELL YOU! GO SEE WHAT SHE WAS DOING!
Actually, it was probably his fault! HOW dare he try to purposely sabotage a book! I LOVE HIM! Yet he probably did it to get rid of me! WHO WOULD EVER try to get rid of me!? But I swear, I DIDN’T DO IT! He may have also ruined my favorite character... BUT I LOVE HIM! I LOOOOOOOOOOOOOOOOOOVE HIM! NO WAY I WOULD KILL HIM!
Especially not before he signed my book. NOW MY BOOK WILL NEVER BE SIGNED! ARGGHHH!
If I had to point fingers, I bet it was that incompetent editor Helen! Everybody knows editors are fierce and nasty people! IT WAS HER I TELL YOU! GO SEE WHAT SHE WAS DOING!
(Suspect refused to respond to further questioning, instead deciding to pace around the room, mumbling “Reavis” under her breath and pressing her hands to her heart. No further information was gathered.)
Go To CHAPTER FIVE!
Go To CHAPTER FIVE!
Friday, October 9, 2015
CHAPTER 3: Initial Statement from Brutus the Bartender
(Detective's Note: I only got a few moments with Brutus, but he did give me some interesting information-- he knew every single one of the people in that photograph). I will finish the interview when all the mystery writers at this place aren't clogging the bar).
WITNESS STATEMENT:
"Absolutely not a single one of those people is ever allowed in this bar again!
That Fran Helsing character kept crawling under tables and scaring my customers. Ray Vuss Wordum stole my favorite lampshade and put a mustache on it. Payton Olliver's hands were covered in super-sticky shaving cream from some freaky art project -- everything at her table was covered in it. And Helen Bvtt... Brrt... Bvck... Oh heck, whatever her last name is, she stiffed me on a $27.82 dollar tab because she couldn't sign her own name to the credit card receipt. And that Reavis guy spilled his liquor everywhere and didn't clean it up. No, I don't care if he's dead, that's no excuse.
I don't have time to talk right now -- I've got to get back to polishing glasses, especially the ones that Payton Olliver handled, because this stuff is NOT coming off easily -- but if I were you, I'd talk to that creepy stalker chick first. Fran Helsing."
Go to CHAPTER FOUR!
WITNESS STATEMENT:
"Absolutely not a single one of those people is ever allowed in this bar again!
That Fran Helsing character kept crawling under tables and scaring my customers. Ray Vuss Wordum stole my favorite lampshade and put a mustache on it. Payton Olliver's hands were covered in super-sticky shaving cream from some freaky art project -- everything at her table was covered in it. And Helen Bvtt... Brrt... Bvck... Oh heck, whatever her last name is, she stiffed me on a $27.82 dollar tab because she couldn't sign her own name to the credit card receipt. And that Reavis guy spilled his liquor everywhere and didn't clean it up. No, I don't care if he's dead, that's no excuse.
Note: Shaving cream all over the glass at Payton Olliver's table. |
I don't have time to talk right now -- I've got to get back to polishing glasses, especially the ones that Payton Olliver handled, because this stuff is NOT coming off easily -- but if I were you, I'd talk to that creepy stalker chick first. Fran Helsing."
Go to CHAPTER FOUR!
CHAPTER 2: Detective Dee T. Ective on the Case!
Down to the scene of the crime I go!
Pardon my excitement. Murder is sad and all – and this Reavis Z. Wortham seemed to be a real hoot of a guy, who will be terribly missed – but it's been SO BORING at the station recently.
Anyway, that's poor Reavis dead at the bar. From the overturned bourbon next to his body, I'm going to go out on a limb and pronounce Cause of Death as poisoning. We'll get the Official Autopsy Results soon, but for one, there was a lot of choking and turning red involved (according to Brutus the Bartender's initial 911 call – I have to interview him later) and for two, Reavis was reportedly not a man to spill his liquor unless there was a good reason. Like he was being murder-poisoned.
Anyway, I ALSO have my first clue, this image from the security camera footage that shows several very suspicious-looking characters standing next to the bar RIGHT BEFORE REAVIS WAS MURDERED!
I'm taking this right to Brutus the Bartender. He was apparently on scene when Reavis bought the big one, so he's my best witness to this heinous act.
Of course, he could be my best suspect. Hmmm...
Go to CHAPTER THREE!
Pardon my excitement. Murder is sad and all – and this Reavis Z. Wortham seemed to be a real hoot of a guy, who will be terribly missed – but it's been SO BORING at the station recently.
Anyway, that's poor Reavis dead at the bar. From the overturned bourbon next to his body, I'm going to go out on a limb and pronounce Cause of Death as poisoning. We'll get the Official Autopsy Results soon, but for one, there was a lot of choking and turning red involved (according to Brutus the Bartender's initial 911 call – I have to interview him later) and for two, Reavis was reportedly not a man to spill his liquor unless there was a good reason. Like he was being murder-poisoned.
Anyway, I ALSO have my first clue, this image from the security camera footage that shows several very suspicious-looking characters standing next to the bar RIGHT BEFORE REAVIS WAS MURDERED!
I'm taking this right to Brutus the Bartender. He was apparently on scene when Reavis bought the big one, so he's my best witness to this heinous act.
Of course, he could be my best suspect. Hmmm...
Go to CHAPTER THREE!
CHAPTER 1: Murder-Death! AKA My First Homicide Case
Wow, I've only been on the job for two days and already I'm in charge of a homicide! I was thinking I'd get a uniform first, maybe a firearm, but no, they're shoving me out of the nest like an unarmed baby bird. With a badge. And some handcuffs.
My first assignment. And to think I wanted to be a bartender.
Well, time to rustle up an evil doer! Detective Dee T. Ective is on the case!
Go To CHAPTER TWO!
My first assignment. And to think I wanted to be a bartender.
Well, time to rustle up an evil doer! Detective Dee T. Ective is on the case!
Go To CHAPTER TWO!
Cast of Characters
Reavis Wortham – Innocent Victim
Detective Dee. T. Ective – new to the Raleigh Writer's Conference Homicide Squad, looking forward to her first case
Detective Jean Jeanbeaug – agent for Interpol's Crimes Against Humanity Squad, assisting Det. Ective with her first case
Suspect #1 Fran Helsing – Rabid mystery fan-at-large
Suspect #2 Helen Bvtzchknn -- Freelance editor-at-large
Suspect # 3 Payton Olliver – Artist-at-large
Suspect # 4 Ray Vuss Wordum – Mystery Author. Not at large.
Brutus the Bartender – Bartender. At the bar. Which he tends.
Chef Blarnee – Fancy Irish Chef brought in to prepare special mystery dinner
Seamus McCree – Guest Sleuth
Tai Randolph – Guest Sleuth
Detective Dee. T. Ective – new to the Raleigh Writer's Conference Homicide Squad, looking forward to her first case
Detective Jean Jeanbeaug – agent for Interpol's Crimes Against Humanity Squad, assisting Det. Ective with her first case
Suspect #1 Fran Helsing – Rabid mystery fan-at-large
Suspect #2 Helen Bvtzchknn -- Freelance editor-at-large
Suspect # 3 Payton Olliver – Artist-at-large
Suspect # 4 Ray Vuss Wordum – Mystery Author. Not at large.
Brutus the Bartender – Bartender. At the bar. Which he tends.
Chef Blarnee – Fancy Irish Chef brought in to prepare special mystery dinner
Seamus McCree – Guest Sleuth
Tai Randolph – Guest Sleuth
Pssst! : PROLOGUE
Don't tell anybody, but we're writing a play-along mystery starring Detective Dee T. Ective. Stay tuned here for more details on her first day of work with the Raleigh Mystery Writer's Conference Homicide Squad. You can check out our cast of characters HERE.
Prizes! Honor! Glory!
Prizes! Honor! Glory!
Ten Things We Wish YA Writers and Editors and Publishers Knew About Actual YAs (Like Us)
1. When Writing About Young People,
Talk to Young People Alive and Young Right Now. Many YA Authors write
teenagers who act much younger -- or much older -- than teenagers really behave. Or they write teenagers like the ones they see on TV (big mistake -- TV teenagers are about as accurate as TV CSI Teams)
Some writers make the mistake of basing fictional teenagers on what THEY were like at teenagers. Don't. Just because you were young once, doesn't mean you know teenagers now. We have since evolved.
2. Not All Characters Need A Tragic Backstory. Nor do they have to be the Misunderstand Loner (also known as the "I'm Not Like The Other Susans" Rule).
3. Adults Are Not Always Evil/Boring/Patronizing/Incompetent. We live with adults, and we actually care about them and sometimes even like them. And we have people in our lives who care about us.
4. Don't Force the Romantic Elements. If you want to include a romantic element in your story, go for it! But it's not required for YA readers to find the story interesting. Really.
Important Point #1 -- No Creepers. Teenagers must date other teenagers close to their own age or it's very very problematic.
Important Point #2 -- Trust chemistry. There's nothing worse than characters who act out of character just to create a relationship subplot. Make sure each character matters to the plot, and make sure they're not just in the story to be romantic decoration.
Important Point #3 -- Romance doesn't always mean boy/girl (see #6), and your romance plot does not have to include only TWO characters. If you see a love triangle forming in your story, instead of pitting the love interests against each other (creating unnecessary drama), maybe you could see how they work as a triad. Polyamorous people are real, and they are often sorely misrepresented in modern media.
In other words, YAs tend to view things -- including relationships and gender -- in non-binary ways.
5. No Cheap Tricks. Don't kill animals just to illicit an emotional response, and don't threaten them just to heighten tension. Don't dangle little children over cliffs just to hear them squeal.
6. Create A Diverse Cast of Characters.
Important Point #1 -- More LGBTQA+ characters! Please! Now! And make sure they have something to do in the story that doesn't involve their LGBTQA+-ness. Also, queer youth don't always join Drama Club or Chorus -- think outside the stereotypes. (FYI -- The A in this acronym refers to Asexual/Aromantic, which is an orientation, and not Allies. Though Allies Are Awesome).
Important Point #2 -- Also more racial and ethnic diversity. Please make sure that you do more than change a character's outward appearance (hair/skin/clothes). Diversity requires that you show us the texture of their lives and language, their identities as whole people.
Important Point #3 -- Also more differently-able people. Wheelchairs can make really awesome weapons, you guys; think about the possibilities.
Important Point #4 -- Go sit in a busy public park. Pay attention to the different kinds of people you see in one hour's time.That's how your stories should look.
7. Treat YA Mysteries As Seriously As Adult Mysteries
Important Point #1 -- Mysteries should be solved by the protagonist, through the clues she or he discovers. Readers should have access to the clues -- we don't like having solutions pulled out of magic hats at the end.
Important Point #2 -- Villains are characters too. Don't spring them on us at the end of the book. Develop them as fully as the other characters.
Important Point #3 -- Effective endings require realistic closure. We don't always need justice, but we do need loose ends tied up.
Important Point #4 -- Secondary characters require development and depth too.
Important Point #5 -- Doublecheck your plot points, people. We are very thorough readers and we don't like to drive our brains over plot holes.
8. Strong Female Protagonists™ Do Not Act Like Stereotypical Men. Also, contrary to popular opinion, guys will read books with a female lead. If they are good books.
9. Leave Your Moral Soapbox At Home. We can smell a lesson a mile away.
10. It's Okay To Be Serious. And Funny Too. We will read books that address serious issues, but we want them addressed in a realistic manner and we want them to matter to the book and not be added simply to illicit a response (see previous #5). But books don't have to be one or the other. Real life is a mix. YA novels should be too.
Some writers make the mistake of basing fictional teenagers on what THEY were like at teenagers. Don't. Just because you were young once, doesn't mean you know teenagers now. We have since evolved.
2. Not All Characters Need A Tragic Backstory. Nor do they have to be the Misunderstand Loner (also known as the "I'm Not Like The Other Susans" Rule).
3. Adults Are Not Always Evil/Boring/Patronizing/Incompetent. We live with adults, and we actually care about them and sometimes even like them. And we have people in our lives who care about us.
4. Don't Force the Romantic Elements. If you want to include a romantic element in your story, go for it! But it's not required for YA readers to find the story interesting. Really.
Important Point #1 -- No Creepers. Teenagers must date other teenagers close to their own age or it's very very problematic.
Important Point #2 -- Trust chemistry. There's nothing worse than characters who act out of character just to create a relationship subplot. Make sure each character matters to the plot, and make sure they're not just in the story to be romantic decoration.
Important Point #3 -- Romance doesn't always mean boy/girl (see #6), and your romance plot does not have to include only TWO characters. If you see a love triangle forming in your story, instead of pitting the love interests against each other (creating unnecessary drama), maybe you could see how they work as a triad. Polyamorous people are real, and they are often sorely misrepresented in modern media.
In other words, YAs tend to view things -- including relationships and gender -- in non-binary ways.
5. No Cheap Tricks. Don't kill animals just to illicit an emotional response, and don't threaten them just to heighten tension. Don't dangle little children over cliffs just to hear them squeal.
6. Create A Diverse Cast of Characters.
Important Point #1 -- More LGBTQA+ characters! Please! Now! And make sure they have something to do in the story that doesn't involve their LGBTQA+-ness. Also, queer youth don't always join Drama Club or Chorus -- think outside the stereotypes. (FYI -- The A in this acronym refers to Asexual/Aromantic, which is an orientation, and not Allies. Though Allies Are Awesome).
Important Point #2 -- Also more racial and ethnic diversity. Please make sure that you do more than change a character's outward appearance (hair/skin/clothes). Diversity requires that you show us the texture of their lives and language, their identities as whole people.
Important Point #3 -- Also more differently-able people. Wheelchairs can make really awesome weapons, you guys; think about the possibilities.
Important Point #4 -- Go sit in a busy public park. Pay attention to the different kinds of people you see in one hour's time.That's how your stories should look.
7. Treat YA Mysteries As Seriously As Adult Mysteries
Important Point #1 -- Mysteries should be solved by the protagonist, through the clues she or he discovers. Readers should have access to the clues -- we don't like having solutions pulled out of magic hats at the end.
Important Point #2 -- Villains are characters too. Don't spring them on us at the end of the book. Develop them as fully as the other characters.
Important Point #3 -- Effective endings require realistic closure. We don't always need justice, but we do need loose ends tied up.
Important Point #4 -- Secondary characters require development and depth too.
Important Point #5 -- Doublecheck your plot points, people. We are very thorough readers and we don't like to drive our brains over plot holes.
8. Strong Female Protagonists™ Do Not Act Like Stereotypical Men. Also, contrary to popular opinion, guys will read books with a female lead. If they are good books.
9. Leave Your Moral Soapbox At Home. We can smell a lesson a mile away.
10. It's Okay To Be Serious. And Funny Too. We will read books that address serious issues, but we want them addressed in a realistic manner and we want them to matter to the book and not be added simply to illicit a response (see previous #5). But books don't have to be one or the other. Real life is a mix. YA novels should be too.
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